Sunday, August 13, 2006

Kabhi Alvida Na Kehna - Review

You do not go to watch Karan Johar movies looking for a thriller action packed roller coaster ride. So its pointless coming out of the theatre cribbing about the glycerine soaked dramatic emotions on display for a complete 3 hours. KANK is 'almost' another Karan Johar special. An enviable star cast, good music, good locales, good clothes, rich people - a perfect example of a designer movie. I said almost because this time around he falters on key accounts as he tries to experiment(though within the ambits of his usual sentimental and emotional stuff) in coming up with a bold story on the theme of extra marital affairs:

- The 'already seen that' narrative of Johar (you can almost guess what the next scene is going to be)
- The 'fallen from grace' character of SRK(The effervescent Rahul making way for the frustrated Dev isn't exactly what SRK fans would like to see I feel)
- The lame reason given for getting into an extra marital affair(I felt that Rani's character left a cool dude like Abhishek to fall for SRK because just like her, he too didn't like to party and because the story writer wouldn't have it any other way) and then extending the length of the film to generate sympathy for the guilty parties.

I would recommend that if you intend to watch the film for some novel experience then you better stay away from it. It is not going to be a milestone in dealing with the issue of out of marriage relationships. There's no point even comparing it to Arth which was realistic to core because KANH is made primarily to get good commercial returns rather than anything else.

Talking of the performances of the lead star cast, Amitabh Bachchan takes the cake with the cherry on the top(Siddhu effect this!). No one other than the Big B could have handled the flamboyant and playboyish role of a 65 year old Sam. He is definitely the high point of the whole enterprise and the on-screen chemistry that he shares with Abhishek is terrific.

Abhishek Bachchan gets to play the role of the 'good man' and he delivers a noteworthy performance. Rani Mukherji and Preity Zinta do not merely play decoration pieces here. They get their share of glycerine moments besides indulging in the regular singing and dancing stuff. SRK looks meek, both character wise and performance wise. I say performance wise not because he could not do justice to the role but because I do not see the evolution in the characters that he has been portraying for the Chopras and Johars since DDLJ. He doesn't even need a director or a dialogue writer now to play these roles, they are getting so predictable and monotonous now. I am sure that King Khan is gonna get back with a bang with Don but its thumbs down for him for KANK.

Music is good - in the Kal Ho Na Ho mould. Cinematography perfect! Lavish sets, good production value but the final product that we get is quite off the mark. Adi Chopra reinvented himself by moving away from the glycerine soaked lovey-dovey romances to more slick and 'in' films like Salaam Namaste and Dhoom post Mohabbatein. Maybe its time Karan Johar too took a stock of things.

Better luck next time Mr. Johar, KANK is not going to boost the sales of tissues this time around!

1 comment:

Anonymous said...

One thing i wud also like to mention abt KANK, How come Mr Sam regretting his misdeeds towards his wife by being with tuk-tuks all the time.
and also I cudnt understand wht SRK wants and wht he and her mother were doing in the marriage of abhishek-rani if they didnt know them. and thr were no limits of coincidences. d'oh
neway very nice and apt review.

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